“Hijack” leads Apple TV+’s global popularity charts as of January 28, 2026, topping the list with a viewership score of 1,010. It is followed by “Tehran” at 791 and the sci-fi thriller “Pluribus” at 680. Other ongoing favorites include “The Morning Show,” “Ted Lasso,” “Slow Horses,” and “Severance,” all within the top ten, each drawing several hundred viewer points. Notably, “Shrinking” and “The Last Frontier” also appear, though with smaller audiences. (flixpatrol.com)
Why This Matters Now
These rankings reflect real-time engagement and give a snapshot of what viewers are actively watching. The SEO keyword best shows on apple tv is relevant because the most-watched titles often align with what users search. Seeing “Hijack” at the top signals its current resonance. Similarly, “Pluribus” maintaining a high rank suggests strong viewer retention and critical attention. (wired.com)
Strong Performers and New Entrants
Hijack
A real-time thriller front and center of Apple’s charts now, “Hijack” maintains its position at #1. Its sustained popularity suggests gripping content and successful marketing momentum. (flixpatrol.com)
Tehran
With its third season currently streaming, “Tehran” anchors the second spot globally. The espionage drama remains a strong draw, likely due to its high-stakes narrative and serial structure. (flixpatrol.com)
Pluribus
Vince Gilligan’s post-apocalyptic drama continues to capture attention. It holds third place and claims record-breaking premiere viewership for Apple’s original dramas. (flixpatrol.com)
Other Charting Titles
- The Morning Show (4th),
- Ted Lasso (5th),
- Slow Horses (6th),
- Severance (7th),
- The Last Frontier (8th),
- Shrinking (9th) (flixpatrol.com)
These show a cross-section of genres—comedy, workplace drama, psychological thriller—that appeal to a broad streaming audience.
Upcoming Highlights & Notable Renewals
Beyond the rankings, several new Apple TV+ series are generating buzz ahead of their release.
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“Margo’s Got Money Troubles” is set to premiere on April 15, 2026. The drama stars Elle Fanning, Nicole Kidman, and Michelle Pfeiffer and follows a young mother navigating financial and personal challenges. (en.wikipedia.org)
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“Widow’s Bay” is a horror-comedy set in a superstitious New England town, starring Matthew Rhys. It debuts on April 29, 2026. (en.wikipedia.org)
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“Imperfect Women”, featuring Elisabeth Moss and Kerry Washington, will premiere March 18, 2026. The psychological thriller is based on a novel and centers on the fallout of a devastating crime. (en.wikipedia.org)
On the renewal front, “Shrinking” has been renewed for a fourth season just as its third dropped on January 28—signaling confidence in the show’s trajectory. (t3.com)
Viewers’ Current Favorites vs. Anticipated Releases
This comparison reveals a narrative arc: the top-watched shows—like Hijack, Pluribus, and Tehran—define Apple TV+’s current moment. Meanwhile, upcoming series such as Margo’s Got Money Troubles, Widow’s Bay, and Imperfect Women represent the next wave potentially shaping future charts.
“Hijack continues to command attention across demographics, while Pluribus sets new records for original drama.”
What Comes Next
The streaming landscape on Apple TV+ looks layered. Short-term, the focus is on heavy hitters like Hijack staying relevant through social buzz and word-of-mouth. Midterm, the debut of Imperfect Women in March and Margo’s Got Money Troubles in April could redraw viewer attention.
Renewal of heavy-hitters such as Shrinking suggests Apple TV+ might lean on proven formulas while rolling out new content that expands genre coverage—from horror comedy to relationship-driven drama.
Ultimately, the charts this week reveal both Apple TV+’s current strengths and a roadmap for what may come next.
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In closing: Apple TV+ is anchored today by Hijack, Pluribus, and Tehran. Upcoming releases, especially Imperfect Women and Margo’s Got Money Troubles, could shift rankings soon. The sustained renewal of successful shows like Shrinking further hints at a strategy balancing audience favorites with fresh stories.
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